The first hall within the temple contains eight large statues of the king as Osiris, four on each side, which also serve as pillars to support the roof. The walls are decorated in relief with scenes showing the king in battle, including the great battle of Kadesh on the north, and Syrian, Libyan and Nubian wars on the south wall, and also presenting prisoners to the gods.

On the north entrance wall in this Hypostyle hall a scene shows Ramesses in the presence of Amun, to whom the king appealed during his battle at Kadesh against the Hittites.

Behind the first hall is a second smaller hall with ritual offering scenes. Here in one scene both Ramesses and Nefertari are depicted before the sacred barque of Amun, and in another, before the sacred barque of Ra-Horakhaty. Three doors lead from here into a vestibule, and then one reaches the sanctuary.

The sanctuary contains a small altar and in its rear niche are four statues. These cult images represent Ramesses II himself, and the three state gods of the New Kingdom, Ra-Horakhty of Heliopolis, Ptah of Memphis and Amun-Ra of Thebes. Before the statues rests a block upon which would have rested the sacred barque itself.

The axis of the temple is arranged so that on two days of the year, in February and October, the rising sun shoots its rays through the entrance and halls until it finally illuminates the sanctuary statues.

To the north of the main temple a smaller temple was built in honor of Ramesses’ great wife, Nefertari, and the goddess Hathor. This temple should not be confused with the beautiful Tomb to Nefertari in the Valley of Queens near Thebes.

As with Ramesses’ own temple, the cliff face was cut back to resemble sloping walls of a pylon. Six colossal standing figures 33 feet high four of Ramesses and two of Nefertari, were cut from the rock face, along with smaller figures of the royal family. An inscription over the entrance reads "Ramesses II, he has made a temple, excavated in the mountain, of eternal workmanship, for the chief queen Nefertari, beloved of Mu, in Nubia, forever and ever, Nefertari for whose sake the very sun does shine."

Inside, Nefertari’s temple has a single pillared hall, with carved Hathor heads atop the pillars. On the sides facing the center of the hypostyle; Ramesses is shown smiting his enemies and offering before various gods, while Nefertari is shown, graceful and slender, with hands raised. Three doors lead to a vestibule with ancillary rooms at either end.

The sanctuary is complete, though two spaces were left on its side walls for doors to rooms, which were never cut. The inner chamber contains a number of images interrelating the royal couple and the gods. On the rear wall, Hathor is depicted in high relief as a cow emerging from the western mountain, with the king standing beneath her chin. Nefertari is shown repeatedly participating in the divine rituals on an equal footing with the king. On the left wall, Nefertari is seen worshipping before Mut and Hathor, and on the right, Ramesses worships before images of his deified self and his wife.

When Greek mercenaries passed by in the 6th century BCE, sand already reached the knees of the statues. These ancient sight-see-ers left an inscription which reads "When King Psammetichus came to Elephantine, this was written by those who sailed with Psammetichus the son of Theolces, and they came beyond Kerkis as far as the river permits."

by Marie Parsons -

Marie Parsons is an ardent student of Egyptian archaeology, ancient history and its religion. To learn about the earliest civilization is to learn about ourselves.

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References:

• Cultural Atlas of Ancient Egypt by John Baines and Jaromir Malek
• Oxford Encyclopedia of Ancient Egypt
• Complete Temples of Ancient Egypt by Richard Wilkinson

Source: http://www.touregypt.net/featurestories/abusimbel.htm